Friday, May 3, 2013

André Surridge’s new cricket tanka

André Surridge, a contributor to A Tingling Catch, recently wrote a new cricket poem (a tanka).
A tanka is a Japanese form of poetry consisting of five lines whereas a haiku is traditionally a three-line Japanese poem.
A tanka contains some of the qualities of haiku.
Surridge’s work is closer to senryu (humorous haiku):

ANDRÉ SURRIDGE

cricket stat -
the great W G Grace
was once dismissed
by Arthur Conan Doyle
now that's a mystery

© André Surridge 2012

First published by Tony Chad in Valley Micropress, Vol. 15, Issue 10, December 2012.

See also previous post on Surridge’s haiku:

Wednesday, February 6, 2013

Nick Whittock’s new cricket poetry The Doon

Last year, Nick Whittock sent me a copy of his latest cricket poetry book called The Doon, an exchange for a copy of Michael O’Leary’s Out of It that I published. It’s taken me a while to get on to it, but here’s a brief review of the book.

Review of The Doon by Nick Whittock (Vagabond Press, Australia, 2012)

Whittock is the author of the superb Covers, a collection of his very imaginative cricket poetry, one of my favourite cricket books. I’ve interviewed him previously for this blog on Covers.
The Doon, beautifully produced with Kay Orchison cover design/b/w artwork, is his follow up to Covers. It is a saddle-stapled chapbook by Vagabond Press in Sydney, Australia. It is a limited edition, a rare cricket and poetry book. My copy is No. 28 of 100 copies.
The cover sports an old, antique cricket bat, and ‘Doon’ in the title is presumably a play on ‘Don’ as in Don Bradman.
Bradman or his myth features in several of the poems here.
There are seven poems in total, including the poem ‘Don Bradman’. I first included that piece in A Tingling Catch in 2010. It is a monologue by a cricket spectator and recommends Ross Taylor as a ‘good fucking batsman’. As a Kiwi, I agree. It goes on to make comments about Twenty 20:

problem with 2020s not that it
dumbsdown cricket or its techniques
(in fact it enhances them all)
but the dumbing down of commentary…

Whittock’s technique is cut-up and Modernist, an element of Dada art involved. This can make the poems not as accessible as some other cricket poetry out there. The poetry texts require several readings to elucidate their ‘meanings’ and the jokes about beer are fair dinkum Australian, from the Rodney Marsh to David Boon era of the ’70s/’80s.
Throughout, the poems examine a contemporary Australian Bradman/Beeradman cultural myth effectively.
‘clara 81’ from Whittock’s Clara series (alluding to Brian Lara/Michael Clarke/Lara Bingle) reads like an elegy for former Australian captain Kim Hughes as ‘the people he could never be’. My favourite is ‘0s’ a poem about noughts in the scoresheet, published in the Sun Herald in Sydney in 2009. It ends by alluding to David Bowie’s ‘Heroes’: ‘blobs just for one day’.
The book concludes with the long, rambling ‘shane watson: becoming opening’ about Watto’s adventures as an opener. The poem conjures pithy one-liners, puns and word-play and fine imagery of a match v Pakistan (Yousuf, Akmal & Co). With plenty of clever allusions to Ricky Ponting, Stuart Law and Michael Clarke in the second section, it is rewarding.
I’ll end with the funniest poem here from a Kiwi perspective called ‘don bradmans wildly successful tour of nz’, a touring/holiday incident about camping in the Bay of Islands:

NICK WHITTOCK

don bradmans wildly succesful tour of nz

which cuntre ya callin cunt cunt
road trip to the baymarie of islands
minivan shadows tarmac
bob                    dylans a mothership

samuel becketts a mechanism
for opening
bottles scenerys cameras horse
                   stands on the earth

birds stand on the horse
things we cant see stand on the bird
n smaller things ride petes train
in the abscence of bathmats                   we stand on towels

the navigating was fucked
a crotchless cap for dickheads w
aids all over m penis w
unknotted condom                                  ooh! interesting soil
                                                              are you learning?

Poem © Nick Whittock, 2012

Anyone interested in the real Don Bradman’s 1932 visit to New Zealand, a similarly unrewarding spectacle, can read my blog article on it. Thanks to Nick for letting me reproduce the poem.
Copies of The Doon may be hard to get but the best bet is to try obtaining the book from Vagabond Press (http://vagabondpress.net/collections/rare-object-series)

About Vagabond Press: “Independent Literary Press since 1999. Based in Sydney and Tokyo, Vagabond Press is dedicated to promoting new writing in Asia Pacific. Over our first ten years we published many of the key emerging voices in Australian poetry. Over the next ten years we aim to publish and promote new prose, poetry and criticism from Asia Pacific.”

Review © Mark Pirie 2013

The Doon by Nick Whittock
(Vagabond Press, 2012)

Sunday, October 28, 2012

Cricket Society Journal reviews Out of It

Michael O’Leary whose cricket novel I edited earlier in the year got a brief but good review in the Cricket Society’s Journal. Out of It was re-released as a 25th anniversary edition through my company HeadworX:

JOHN SYMONS

Review of Out of It by Michael O'Leary (HeadworX Wellington,
New Zealand
)

If there has ever been a stranger book on cricket, I've yet to see it. I always thought that Willie Rushton's W G. Grace's Last Case was the strangest but this one .........................
Well, it's a reprint of a 1987 book which is apparently a 'cult classic.' The main story (?) is of a one-day match between a proper New Zealand side led by Jeremy Coney and a team named Out Of It. The latter team is skippered by the Maori chief Te Rauparaha with Bob Marley as Vice-Captain and the likes of Janis Joplin, Oscar Wilde, Jimi Hendrix and Hermann Goring playing (look, I'm not making this up!) with a running radio commentary from standard and made-up broadcasters.
It reads not unlike one of the earliest Dadaist offerings, written under the influence of hallucinogenics and although that almost certainly isn't the case, it may have been the author's intention to read as if it was. Perhaps it's about dislocation in society - perhaps it isn't. Maybe it's about a suburban man becoming unsettled in real life and entering the surreal world of the imagination - and maybe it isn't. It's unclassifiable (and occasionally, in parts, unreadable) but if you suspend disbelief, a kind of logic can be found.
It's not a spoiler to let prospective readers know that, unlike the song, Goring lasts for three overs and not the obligatory two balls, however small.
If you can find an inexpensive copy, you will have something in your collection that will be unique.

(From Journal of the Cricket Society, Volume 26, No. 3, Autumn 2012, UK)

Cricket Society Journal reviews A Tingling Catch

A brief review of A Tingling Catch appeared in the Journal of the Cricket Society in London. It's nice to be among 'the better offerings' in the collection of nearly 200 pages.

JOHN SYMONS

Review of A Tingling Catch - A Century of New Zealand Cricket Poems 1864-2009, Mark Pirie, Editor (HeadworX Wellington, New Zealand)
 
This is a reprint of the book originally published in 2010 and it's fair to say that the content is a little uneven, with a too-large number of parodies of other songs and poems, most of which seem to have been gathered by Sir Richard Hadlee in an earlier book, Hadlee's Humour, which certainly sounds like a contradiction in terms.
The poems are generally in blank verse (or as we used to say at school - "Sir - Sir - it doesn't rhyme Sir") although the works from earlier times are much more conventional. Poetry is perhaps one of the most subjective of all literary forms and, with the emphasis on things New Zealand; it's hard to know if there will be a widespread appeal for this selection.
The editor, Mark Pirie, contributes a number and they are among the better offerings, but the standout poem is from Jenny Powell, with ‘Under Cover’ which evokes memories of cricket and a relationship shared at the Carisbrook ground with an underlying feeling that the relationship was becoming as sterile as some of the play. Dispassionate with a slight air of wistfulness, this is an unsettling piece and I will look to read more from Jenny Powell. Bonus points to David McGill for attempting a limerick that gets lines to rhyme with Adam Parore.

(From Journal of the Cricket Society, Volume 26, No. 3, Autumn 2012, UK)

New selection of cricketer Robert J Pope’s poetry

This is my first post for a while. The new cricket season has opened in New Zealand.
Over the past three months I’ve been putting in the hard hours on a new selection of Wellington club cricketer Robert J Pope’s poetry to be published in November 2012. The selection also contains his club cricket essay on his days as a cricketer for the Star Club from 1884/85 till 1888.
Pope played in the Senior Pearce Cup competition as an opening batsman. This was the leading club competition in his day. Star Club won the cup twice: 1883/84 and 1884/85 seasons. Pope later played for the Wellington Cricket Club and the Wairarapa Cricket Club and learnt his school boy cricket under J P Firth at Wellington College.
Members of Pope’s Star Club team included Wellington slow bowler Charlie Dryden as well as Harry Roberts and Sid Nicholls, the fathers of future All Black footballers (i.e. Teddie Roberts and the three Nicholls brothers, most notably Mark Nicholls of the Invincibles 1924/25 team).
The book is 192 pages in total.
I will post more details on the book’s release.

Monday, July 16, 2012

Anonymous 1932 NZ Test cricket epigram

A brief but interesting epigram I found while searching The Evening Post digital collection in Papers Past relates to a 1932 Test between New Zealand and South Africa. The 1931/32 South African team were playing their first ever Test series in New Zealand.
The epigram wittily notes Mr Vivian ‘consigning’ his teammates to ‘oblivion’. Indeed, in this Test, the very promising Giff Vivian was the star and perhaps the villain of the match.
Earlier Vivian had toured England in the 1931 season and exceeded 1000 runs on the tour, looking to be an exceptional all-round find for New Zealand in the future. Don Neely’s Men in White notes Vivian’s ‘132 against Yorkshire the best innings of the tour’ which is no mean compliment considering the batting included Stewie Dempster, Roger Blunt, Jack Mills and Tom Lowry.
In the 1932 Second Test against South Africa played at the Basin Reserve, Giff Vivian made his return to the New Zealand team after missing the first match and scored a century in the first innings adding a century partnership with Ted Badcock after New Zealand looked to be on the rails at 158-5.
Eventually New Zealand closed its innings at 364, Vivian top scoring with 100, Badcock making 53 and Dempster a solid 64 with 10 boundaries.
In the South African reply, Vivian was again the important cog for New Zealand’s bowling taking 4-58 and restricting the visitors to a 46-run lead. Vivian didn’t stop there, making 73 in New Zealand’s disappointing second innings of 193. However, after Vivian lost his wicket, New Zealand found no resistance and South Africa finished off the tail before knocking off the winning runs with ease ending 150-2.
Perhaps the epigram is noting the loss of Vivian’s wicket, the player who could have seen New Zealand home for a draw:

ANON

Test cricket

In a relative sense, Auckland's young Mr. Vivian
Consigned all his teammates to utter oblivion.

(From C A Marris’s “Postscripts” column, The Evening Post, 8 March 1932)

Article © Mark Pirie 2012

(Sources: Men in White by D O Neely, R P King and F K Payne, Moa Publications, Auckland, 1986; and Papers Past, the National Library of New Zealand’s digital newspaper archive)

Tuesday, July 3, 2012

Māori cricket in New Zealand: Further Notes

In an earlier blog post, I talked about Māori participation in cricket being a mystery to cricket historians. It remains part known; also the number of Māori First Class players.
Historian and university teacher Greg Ryan’s The Making of New Zealand Cricket 1832-1914 (2004) provides a brief historical piece on 19th century Māori cricket and names some early First Class Māori players, however, Ryan does note: ‘At present we know far too little about early Maori sporting interactions with Europeans.’ I’ve not found much else about Māori cricket in specific searches of the National Library of New Zealand catalogue but there may be more in Papers Past newspaper searches.
Adam Parore remains the best-known Māori cricketer, and the first to score a century at Test level for New Zealand. Although I know Te Aute College, Hawke’s Bay, has had a cricket first XI dating back to the 19th century and Sir Paul Reeves, the former Governor-General of New Zealand, played for the Wellington College First XI in the late 1940s. In local literature, Michael O’Leary (of Te Arawa descent) has written of Parore’s feat in poetry and also used Te Rauparaha as the unlikely cricket hero in his novel Out of It (1987, 2012). In Cook Islands literature, Lino Nelisi has written children’s cricket fiction in Cook Islands Māori and Alistair Te Ariki Campbell, a well-known New Zealand/Cook Islands Māori poet, has a cricket poem about his brother Stuart Campbell, a cricketer, in A Tingling Catch (2010). O’Leary further emailed me a reference to the first game played between Māori and Pākehā in F.W.G. Dickeson’s Ngapuhi Land: A Survey in Picture and Story of the Historic Mid Northland (1948):

Near the bay’s northern end is the site of [William] Colenso’s first printing press, set up in 1835. On the second beach, Horotutu [Paihia], was played the first cricket match between Maori and Pakeha.

Ryan, however, considers there could’ve been earlier involvement before this match and notes further 19th century references to Māori players in the area and possible participation by them. Aside from what Ryan has discovered, there are surely more players and teams (school or club) yet to be traced and found.
I once filled in for my friend’s dad’s Levin Club against Waikanae when I was a teenager. I made two not out with a swirling skier over mid off from the last ball of the final over and facing just two balls. It raised the 250 on the scoreboard and being a one-day game, brought the club extra points my friend told me afterwards. The Waikanae bowler was Māori who asked me walking back to the pavilion if I was Māori too. My surname is pronounced ‘Piri’ like Piri Weepu, one of my favourite rugby players. It was not the first time I'd been asked by Māori. I told him, however, I was not Māori but Scots-French descent.
Recently, I started doing a search of the magazine Te Ao Hou (The New World), published by the Maori Affairs Department, which the National Library of New Zealand has now digitized. In issue 39, June 1962, Kara Puketapu discusses in his article ‘Maoris and Summer Sports’ the keen participation by Māori in winter sports like rugby and rugby league, and gives his reasons for the lesser participation in summer sports like cricket:

Perhaps the reason for this is that for most summer sports, a player must adopt an individualistic approach and spend hours of practice by himself. Myself, I think I would find this uninteresting, and I am sure many other Maoris would too. To spend an evening or Sunday morning hitting a tennis ball against a volley-board or bowling a cricket ball at a stick or fence, or sprinting down a track against imaginary opponents does not seem to appeal to the Maori. The actual game might be enticing but the individual practice demanded for competitive play seems to kill any keenness.
The fact that there are Maoris playing summer sports and that they are not reaching the top-line consistently, if at all, is I think due to some of these reasons. One other point that can be added is that in most summer sports, unlike winter sports, bodily contact between players is absent.
I am confident that we can excel in every sport, including summer ones; but so far, apart from the fact that most of us live in the country and have not had the opportunity to participate regularly, we have not yet developed the inclination.

Similarly, Paul Potiki, in No. 3, Summer 1953, discusses the issue of cricket:

Not many Maoris have shown interest or ability at cricket, but since the war the number playing has noticeably increased. My knowledge is confined mainly to Wellington, but I can recall only Jimmy Ell as a first class cricketer. It is of note also that Jimmy still holds the Wellington record for highest score. Last year the Auckland Plunket Shield team included a highly promising Maori colt in Doug Hemi, and it is most significant that there are at least two Maori girls playing representative women's cricket.

However, a closer key word search on ‘cricket’ brings up many examples of Māori involvement and participation in the game. Mr Rangiataahua Royal, O.B.E., M.C. and bar, who ‘was selected for the 1922 All Black team in New Zealand, but was unable to play because of an injury’ later organized ‘the first Māori team to play in first class matches’, and was ‘a Rotorua and South Auckland representative (No. 52 (September 1965) p. 63).’ (I’m yet to find a record of the team that Royal organised. Was it rugby or cricket?)
Jock Taua, in No. 27, Summer 1959, notes a rare Māori cricket team competing in an Auckland competition:

Cricket was played at the Domain, where it was interesting to see one of the few Maori teams to ever compete in a cricket competition.

Lieut.-Colonel Poananga, an officer who served in Malaya in 1959-1961, has ‘a fine sporting record, including the heavyweight boxing championship, 2nd N.Z.E.F. (Japan) in 1946. He also captained the 2nd N.Z.E.F. (Japan) cricket team during the same period. (No. 53 (December 1965), p. 29).’
An obituary for Miss Te Kiato Riwai, a Senior Welfare Officer and a recipient of an MBE for her services to her people, in No. 61 (December 1967), states that she was a cricketer in her younger days:

Kia was a keen sportswoman and during her younger days played basketball for the Otautahi Maori Club and cricket for Mai Moa.

An article on Mamae Wikiriwhi, in No. 76 (June 1975), p. 23, one of New Zealand’s first students at United World College, states that ‘Mamae’s interests are in indoor basketball, netball, cricket and tennis. She has represented North Shore in junior tennis.’
Elsewhere, an article on Whatarangi Winiata, a Rotary Foundation Fellow and Ngarimu V.C. Post-Graduate Scholar, states that he ‘held a Horowhenua College Cap in cricket. (No. 31 (June 1960), p. 58.’ Mr S. W. Maioha, O.B.E.’s obituary (No. 43 (June 1963), p. 63), notes that he was ‘a former Northland representative at rugby, cricket and tennis’.
A further full length article in the 1950s by Paul Potiki on ‘Maoris and Sport’ in the early 1950s, however, gives us the best evidence that their participation in cricket was wider still, and names First Class and representative players. Although Jimmy Ell’s record score of 291 must’ve been in club cricket when he was leading club run scorer in the 1938/39 season for Wellington. He never produced the same form at First Class level and only managed nine 50s in his First Class innings with a high score of 89 not out. His sister Agnes Ell represented New Zealand women at Test level in 1934/35.
     
      PAUL POTIKI


From Maoris and Sport

Cricket

Why do so few Maoris play cricket? I play, myself, and have often been asked this question. Quite frankly I have never been able to find a complete or satisfying answer, because on the face of it so many Maoris have all the physical attributes which help to make the good cricketer.
A good eye, innate sense of balance and timing, a flair for ball-games, and an almost uncanny gift of ‘style’ seem to be the lot of most Maoris. These characteristics, together with team spirit, patience and self-discipline, are the main requirements of the good cricketer.
I do not like to think that it is because of the last two that the Maori has little interest in the game, but it must be said that his natural tendency is often towards the spectacular. He prefers the sudden blaze of action with slim chance of success to the more cautious digging-in tactics, which leave honours even and delay a decision to another day. These tactics to-day are all too common in big cricket, but sometimes, for the team’s sake, cricket demands this cautious, self-effacing technique. Our friends from Fiji who toured New Zealand this summer, play a completely uninhibited game with great success, and I believe the Maoris would also.
Most Maoris who do play, and even those who have reached the top grades, have a most cavalier approach. Although they may not win the regard of the purist, they delight the spectator.
Few people in Wellington would deny that Jimmy Ell was, in his day, the most fluent and attractive stroke producer in the country.
Jimmy made his share of ‘ducks’, but he also got his share of centuries, including the Wellington record score of 291. I understand that John Smith, of Kaikohe, is a competent cricketer as well as a fine rugby player, as was his brother Peter, the news of whose death saddened us in January last.
Most of our people live in rural districts, where the good pitch is unknown. Most who do play in the country have to depend on coir matting over uneven turf, or over concrete, often with a rough outfield.
With more of our youth now attending Pakeha district high schools and city colleges, however, the number of Maoris playing cricket is increasing. A few are breaking into representative cricket, and among these are the Sciascia brothers from Levin, Hemi, from Waikato and Auckland, and Taiaroa in this season’s Otago Brabin Shield team. I would like to hear of any others.

(From Te Ao Hou (The New World), No. 7, Summer 1954, p. 50)

Of these names breaking in to representative cricket: Hemi from Waikato must be the All Black Ron Hemi who played for Auckland in the early 1950s. The Sciascia brothers and Taiaroa didn’t make it to First Class level.
Greg Ryan’s The Making of New Zealand Cricket 1832-1914, Joseph Romanos' 100 Māori Sports Heroes and the online New Zealand Cricket Archive lists a few more Māori cricketers who did. Ryan notes that six Māori cricketers ‘who were all very much a part of urban European society’ played at First Class level between the early 1880s and 1920: John Taiaroa (Hawke’s Bay, 1890s), Tabby Wynyard (Wellington, Auckland, 1882/83-1907/08), Wiri Baker (Wellington, New Zealand), George Baker (Wellington), Thomas Grace (Wellington), and fast bowler Wharukiti Uru (Canterbury, 1890s). More recently, Brandon Hiini (Canterbury and Northern Districts), Dave Houpapa (Auckland), Michael Taiaroa (Central Districts), Tane Topia (Auckland), Tipene Friday (Wellington), Daryl Tuffey (Auckland, Northern Districts and New Zealand), Heath Davis (Wellington, Auckland and New Zealand), Kieran Noema-Barnett (Central Districts), Shane Bond (Canterbury, New Zealand), Jesse Ryder (Central Districts, Wellington, New Zealand), Ronald Karaitiana (Wellington), Jeremy Kuru (Central Districts), Adam Parore (Auckland and New Zealand) and Anaru Kitchen (Auckland) have contributed to or played a few matches in New Zealand First Class cricket but only Parore, Bond, Ryder, Davis and Tuffey have gone on to achieve at international Test level. Of the women players listed: Yvonne Kainuku (New Zealand Women), Rebecca Rolls (New Zealand Women), Suzie Bates (New Zealand Women), Lea-Marie Tahuhu (New Zealand Women) and Kelly Rangi (Central Districts Women) played at international or domestic level. There are probably more players who are part-Māori, and those I've listed here are a guess.
These examples found in Te Ao Hou, 100 Māori Sports Heroes, Ryan’s early history of New Zealand cricket and the New Zealand Cricket Archive suggest that the history of Māori participation in cricket could be a valuable story worth tracing in the future, particularly with the advent of the National Library of New Zealand’s Papers Past digital newspaper archive.

Article © Mark Pirie, 2012

(Sources: Ngapuhi Land: A Survey in Picture and Story of the Historic Mid Northland (F W G Dickeson, Kaikohe, 1948); 100 Summers: The History of Wellington Cricket by D. O. Neely (Moa Publishers, Wellington, 1975); 100 Maori Sports Heroes by Joseph Romanos (Trio Books, Wellington, 2012); The Making of New Zealand Cricket 1832-1914 by Greg Ryan (Frank Cass, London, 2004); New Zealand Cricket’s online Archive; email from Michael O’Leary; and Te Ao Hou (The New World) 1952-76 (Wellington, Maori Affairs Dept.) online archive at the National Library of New Zealand's digital collections)