Wednesday, September 9, 2026

Spring Reads: Cricket Poetry by Arthur Salway

Review by Mark Pirie of Cricket Poetry by Arthur Salway (self-published, 2013).

Arthur Salway is an English cricket poet I came across on the world wide web when I googled ‘cricket poetry’ back in 2010. His website ‘Cricket Poetry’ came up. I contacted him through his website the year A Tingling Catch came out and he sent me a reply which I left as a comment to my blog article about him.

Salway eventually collected his poetry into a published volume available on book sites internationally like Amazon, AbeBooks, eBay and lulu in 2013. I thought it was worth purchasing and have added it to my list of favourite cricket books.

Salway’s book Cricket Poetry, Volume 1, includes about 47 poems written over a 20-year period, so not a prolific cricket poet but enough poems to make an impact on the cricket poetry scene internationally. The book is accompanied by photographs of schoolboy cricket (West Hill Park School, Titchfield, Hampshire). Salway wasn’t a good promoter of his work so hasn’t sent copies to the Journal of the Cricket Society or Wisden Cricket Monthly and is mostly not known to the cricket book community. He relied on people visiting his website now defunct.

He was in his 70s when the book was published and had recently retired from cricket at age 68. Salway’s biography on the back cover states: ‘He remembers watching Gloucestershire at Bristol as a boy and admiring the stroke play of Walter Hammond, Charlie Barnett, George Emmett, and the emerging Tom Graveney.’ An impressive list of English batsmen to have seen growing up.

Salway worked as a mathematics teacher living in Hampshire, England till his retirement. He was a club cricketer since his 40s, and had earlier been a schoolboy cricketer ‘successful enough’ and nursed into cricket by his father. In club cricket he was a spin bowler who batted where he was permitted in the order. Salway says: ‘Many of the poems were written for team evenings and are presented for your reading due to the insistence of his erstwhile team-mates.’ Salway hopes we will enjoy them and the poems are meant to be read by cricketers about the game we love.

So, what is the poetry like in Cricket Poetry? Salway is a rhyming poet, so the poetry is all in rhyme and rhythm, and it will interest readers of all ages. He’s not a wordsmith in the word-magic category but a competent enough writer and at times his knowledge of cricket history is impressive. ‘A turn of the wrist’ is a favourite of mine. I’ve mentioned it before on this site:

Soccer is won with cultured feet
And rugger with grit and grist;
But when cricket is played the difference is made
By a delicate turn of the wrist.

His subjects are wide ranging and offer poetical comments on English club cricket, T20 cricket, Brookfield School cricket, Hampshire CCC, cricket teas, the IPL ‘Indian Takeaway’, the Pavilion in winter, prep school cricket, the Ashes, the scorebook, the team kit bag, the Amateurs in county cricket, the cricket field, the Nightwatchman, and the English game. Salway is a proud Englishman: ‘Gone are the days, and what a shame, / When an England player had an English name / Like Larwood, Washbrook, Smith or Compton, / Born in Bradford, Bath or Brompton…’

‘A Winter’s Tale’ has a fine quatrain:

Blower’s voice drones on and on.
‘Oops! Another wicket gone!”
Luminaries then explain
Why Pietersen has failed again.

‘Fast Spin’ all cricketers can relate to:

When we were boys and striding to the wicket,
Learning life while we were playing cricket,
“The bowling good?” we’d ask as we went in;
Departing batsmen scowled & said, “Fast spin.”

One poem stood out to me ‘Tragedy at St Helen’s’:

It’s best, perhaps, it’s not for us to know
The time, the place, the manner we shall go.
We have no opportunity to choose
Nor ours an option that we may refuse.
But could we gentle Providence persuade
That darkest hours be somehow brighter made;
No fears, no pain, no suffering or remorse,
That life’s last stumblings happen in the course
Of pleasant pathways walked with many a friend.
So may we come at last to journey’s end.

And so it was. His umpire’s task was done,
His eyes still shielded from the passing sun,
The counting stones divided in his hand.
We miss, we mourn, we try to understand.
We would not strive to keep what we must lose
Nor take from him what we ourselves would choose.
Now other men must do as once he would,
Standing white-coated where he lately stood;
And cricket, Alcwyn’s lifelong, wise tutorial
Shall be, in its continuance, his memorial.

In July 2009, at St Helen’s Swansea, umpire Alcwyn Jenkins was struck by a ball thrown in from the outfield and died at the scene. The South Wales Cricket Association requested a poem to be read at the funeral. It is included in the collection in his memory. I’m reminded of the tragic death of Australian batsman Phil Hughes struck by a freak delivery.

I found much enjoyment in Salway’s poetry written with a sound knowledge of the game and recommend it to readers of cricket literature of all ages.


Previous posts on Arthur Salway:

Cricket Poetry – Arthur Salway’s cricket poems

Tuesday, September 8, 2026

Mark Pirie’s new poem on Imran Khan

The latest issue of the Journal of the Cricket Society, Spring 2026, arrived over a month or so ago. It carries articles on the imprisoned Imran Khan as well as a piece on Garry Sobers, who has since passed away in July. There is a large section of cricket book reviews.

The articles on Imran are by his biographer Christopher Sandford and Johnny Barclay. Sandford’s letter discusses his plight in Adiala Jail. Imran is currently serving a 14-year sentence for what the state describes as ‘land corruption’. Sandford says he is not in good health.

Barclay’s article offers some thoughts and reminisces of Khan as a player and cricketer in England. He compares Imran to Holding, John Snow the cricket rebel and poet, and Jofra Archer. Barclay is the President of the Cricket Society and a former Sussex player. Khan was lured to Sussex by Tony Greig. Barclay writes: “I once compared him to Nijinsky, so fluent was his bowling action from beginning to end.” (Nijinsky was a Russian-born ballet dancer and choreographer.) After cricket Khan entered politics working for a better world: ”Let us salute him for that.” Barclay ends with a message of hope for Imran continuing to pray.

Imran played 88 Tests and 175 ODIs for Pakistan, and is well remembered as a legend on and off the field and was adored by women.

I wrote a new poem (a triolet) thinking of Imran.

MARK PIRIE

Imran Khan

Imran’s run up & delivery was of beauty.
I grew up watching him steal the light.
A World Cup win, 1992, over Sir Ian.

Imran’s run up & delivery was of beauty
compared to Nijinsky. His bat plundered.
Now a political prisoner, lost from sight.

Imran’s run up & delivery was of beauty.
I grew up watching him steal the light.

Poem © Mark Pirie

Anonymous 1925 English cricket poem

A poem I found while researching the Christchurch Star newspaper was an anonymous poem on raising the seam of the ball in England. It was published during the 1925 season. A county team was skittled.

I sent it to The Cricket Society News Bulletin in 2018. It was particularly topical that year with three Australians serving out their sentences for ball tampering. Cameron Bancroft had been caught by TV cameras trying to rough up a side of the ball with sandpaper. Captain Steve Smith and David Warner were also involved. The match was the Third Test, Australia v South Africa, in Cape Town, March 2018.

I’ve found no details on the match in England the 1925 poem refers to.

ANON

Cricket Magic

English bowlers are alleged to have “skittled” out a county team by raising the seam of the ball.

Now, did the bowlers raise the seam,
  Or make it seem to rise,
And foozle with a magic gleam
  The luckless batsman’s eyes,
As, sharply spinning from the pitches
  The leather shot or skied,
How have the batsman wished those stitches
  Were in the bowler’s side.

But since the art of tit for tat
  Is every batsman’s cue,
Perchance to herringbone the bat
  Might pull the striker through;
If cricket hangs upon a thread,
  Perhaps ’twere not in vain
To knit and purl the splice instead
  Of promptly raising Cain.

(From the Christchurch Star, c1925)

Monday, September 7, 2026

André Surridge’s NZ cricket haiku

Andre Surridge (1951-2019) appeared recently with a prose poem written in 2014. I also found a haiku sequence on cricket he wrote in 2015 in the same magazine, Valley Micropress. Surridge is mostly known as a haiku poet internationally winning the Kyoto Museum for World Peace Award (Japan), the Jane Reichhold International Prize (USA) and the Janice Bostok International Haiku Award (Australia). Enjoy.

ANDRÉ SURRIDGE

First XI

vital toss
the coin lands
in the umpire’s hat

slip cordon
the shape of a sickle
wheatfield beyond

fast bowler
his run-up starts
at the sight screen

a snick
spilt at second slip
the bowler’s teapot

a nervy prod gully gobbles the catch

sharp bouncer
the star batsman
seeing stars

later…

change of pace
the leggie spins one
out of his beard

escorting the ball to the boundary a portly fielder

over the fence
& out of the ground
a towering six

record partnership
batsmen meet mid-pitch
for a fist bump

close of play
happy to sign anything
the smiling centurion

Poems © André Surridge

(from Valley Micropress, November/December 2015)

Previous posts on Andre Surridge: 

André Surridge’s new cricket tanka

André Surridge’s 2014 NZ cricket poem

Other haiku posts:

Cyril Childs's NZ cricket haiku

Saturday, September 5, 2026

Vishak Sivakumar’s 2019 NZ cricket song

Vishak Sivakumar is a writer I came across doing key word searches in the National Library catalogue recently. I don’t know anything about him.

He composed words for a song called ‘Cricket Ball’ that was published in Toitoi: A Journal for Young Writers and Artists. I will include it here in the Tinging Catch archive.

VISHAK SIVAKUMAR

Cricket Ball

You are round and sturdy.
You are tightly gripped in my hand.
You fly through the air like an energetic eagle.
You hit a bat as hard as metal.
You hit a stiff stump which glows bright red.
You land in hands as soft as cotton.
You hear cheering as loud as a stampeding elephant.
Sometimes you soar too high and are never seen again.

Song © Vishak Sivakumar

(from Toitoi: A Journal for Young Writers and Artists, No. 16, Winter 2019)

André Surridge’s 2014 NZ cricket poem

André Surridge (1951-2019) contributed poems to A Tinging Catch and my football anthology Boots. He has a sporting interest. I came across his work when we were both regularly published in Tony Chad’s magazine Valley Micropress.

He is known as a haiku and tanka writer. Tanka is a Japanese form of five lines, two more lines than a haiku. He published Wings for You: Selected Poems 1968-1990 in 1993, and wrote 15 one act plays. His final book One Hundred Petals was haiku and senryu published the year he died.

I came across another cricket poem of his, a prose poem. It’s about a boy’s imaginary world with cricket while doing his homework: an essay on the French Revolution.

I liked it and will include it here.

ANDRÉ SURRIDGE

It isn’t cricket

It isn’t cricket. Well, how could it be? Where’s the first eleven, where’s the opposition? where’s the cricket bat, the ball, the bails, the stumps, the umpires, the pavilion, the crowd, the scoreboard and the commentators waving from an upstairs window?

It’s just a bedroom and a boy procrastinating over an essay on the French Revolution.

He’s kneeling on a mat between two single beds, one his, the other his younger brother’s. He thinks his bat is this wooden foot ruler and the ball a screwed up first page first attempt on the storming of the Bastille, one leg of the chair behind him is his all important wicket. He throws the ball at the bedroom wall and whacks it onto the candlewick bedspread. It’s a six, naturally.

The umpires call lunch and he rises from the pitch on one hundred and two not out.

What’s not to like?

Except the essay isn’t done and his stepfather will threaten him with a thick ear.

(from Valley Micropress, July 2014)

Poem © André Surridge

Previous posts on André Surridge:

André Surridge’s new cricket tanka

Friday, September 4, 2026

Bill Nelson’s 2014 NZ cricket poem

Bill Nelson (b. 1979) is an emerging poet. He has studied at the IIML. He’s published a poetry book, Memorandum of Understanding (2016) and a verse novel, Root Leaf Flower Fruit (2023), with Te Herenga Waka University Press.

I’ve written a verse novel myself, so am always on the lookout for fellow verse novelists.

His publisher’s blurb says of Memorandum of Understanding: "In his debut poetry collection Bill Nelson steps into John Coltrane's body and wears it around. He is a turtle disappearing into the sea. He plumbs the depths of business jargon. He takes singing lessons in Berhampore. He takes his grandfather roller skating. Funny, strange and arresting, these poems test our understanding of understanding".

I recently came across a cricket poem he wrote about watching cricket which his grandfather wasn’t into. I liked it and will add it to the Tingling Catch archive.

BILL NELSON

One day cricket

Like origami, oyster soup
and obscene phone calls

this is something your grandfather
was never into.

Ultimately it was up to you
upside down on the sofa

your head lolling on the floor
the net curtains lifting

and resetting, ready to catch
whatever comes hurtling in.

(From Sport 42, 2014)

Poem © Bill Nelson

Memorandum of Understanding by Bill Nelson,
Te Herenga Waka University Press, 2016